Stop All the Clocks...

Cut off the telephone...

And tune into a fascinating hour with the poet of our times WH Auden.  

Saturday 30th September 2017, BBC2 9pm

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Thirty years after his BBC film The Auden Landscape, director Adam Low returns to the poet and his work.

Following surges of popularity - from featuring in Four Weddings And A Funeral to being the poet New Yorkers turned to after 9/11 - Low reveals how Auden’s poetry helps us to better understand the 21st century and the tumultuous political climate in which we now live.

Why does the poet - who began as the golden boy of the 1930s and ended up as the craggy-faced laureate we never had - have a greater hold on our imaginations than ever before? Writers Alan Bennett, Polly Clark, Alexander McCall Smith and Richard Curtis and poets James Fenton and Paul Muldoon share their passion for Auden, and celebrate the potent, moving impact of his work.

During his lifetime, Auden was often an outsider. A gay man at a time when homosexuality was illegal in Britain, he became an American citizen from 1946 and his reputation in Britain suffered disastrously from his decision to leave England in 1939 and to stay in America throughout the Second World War.

However, the popularity of Auden’s work has increased. A poet who coupled technical skill and emotional honesty and was able to engage simultaneously with the everyday and the universal; perhaps this is the reason he has remained relevant.

His particular combination of humanity and scepticism seems to appeal more and more to this generation, one surrounded by political uncertainty and assailed by anxiety about the future. This film probes the peculiar hold that this angry young man of the 1930s still has on our individual psyches.

Safe Place, Gilded Balloon at the Rose Theatre

Hopscotch Films

presents

Safe Place

at the Gilded Balloon at the  Rose Theatre (Studio)  midday, 13-28th August

Martine is a well-known feminist.  She’s written a newspaper article about how she feels she should offer shelter to a homeless person.  At four in the morning Rowan bangs on her door and Martine gives her a bed for the night. But Rowan is not what she seems, the political becomes the personal and Martine is in for a bumpy ride.

A timely drama exploring the tricky relationship between trans rights and feminism.

Coming Oot! A Fabulous History of Gay Scotland on BBC2

BBC2 are showing 'Coming Oot! A Fabulous History of Gay Scotland' on Monday 7th August as part of its Gay Britannia series of programmes marking the 50th anniversary of The Sexual Offences Act. The act decriminalised sex between men in England and Wales but Scots would have to wait a further decade for the law to change. This programme celebrates the men and women who brought about a revolution in Scottish society to make it one of the most gay friendly countries in the world. 

BBC Storyville screens Accidental Anarchist

Look out for Accidental Anarchist on the small screen on Sunday 23rd July, BBC4 Storyville, 21:50. 

Find out how a high-flying diplomat and Middle East adviser lost his faith in western democracy and is exploring a new way in this Guardian interview. 

UK Premiere: Accidental Anarchist at Sheffield

Accidental Anarchist is having its UK premiere at Sheffield doc fest on June 13th at 12pm. After 14 years at the highest levels of the British Foreign Service, Carne Ross resigned over his country's lies about the Iraq war. He embarked on an extraordinary search for new forms of social and political organisation in America, Europe and, most remarkably, Syria. An inspiring journey into the possibilities of a better society.

For more information and tickets see Sheffield Doc/Fest website.

Brian Cox's Russia

Hopscotch is excited to announce our new 2 part documentary Brian Cox's Russia! Catch it on BBC2 Scotland Tuesday 18th and 25th April. 

Directed by Stephen Bennett 

Marking a hundred years since the Russian revolution, Hollywood actor Brian Cox travels to Russia to discover stories of Scots who made this vast country their own. 

Brian first spent time in Russia during the communist era. Brian taught theatre students at Moscow Arts Theatre for a scheme called Raising the Curtain. His time there gave Brian a life long passion for the country and now he travels back to meet the students and see the dramatic changes. 

Brian revisits the turbulent times of Russian history including the 1917 revolution, the Stalinist purges and the siege of Leningrad which created surprising bonds between our two countries. 

The series also covers three hundred years of shared history between Russia and Scotland, from the mercenary who helped shape Peter the Great's army, to the Scottish industrialist who introduced football to St Petersburg. It also celebrates the poetry of Lermontov and his 'Yearning' for the Scottish Highlands as well as the Russian passion for Robert Burns. 

Watch the trailer here

Caregiver-takes-on-crotchety-old-ailing-knight is a movie formula which works

REVIEW: Had this been an original plot, this heartening British-Hungarian comedy-drama might have been worth an illustrious five stars, yes, almost up there in The Revenant stratosphere.

For devotees of Cinema Gold who can cope with clever, hilarious dialogue and old folksy foibles, it is a must-see.

The Carer bears much resemblance to the magnifique French film, The Intouchables, from 2011. In both, a new caregiver is taken on to tend to a crotchety, irascible old guy and his personal functions.

In The Carer, a once-great stage actor Sir Michael (played by Scottish actor Brian Cox) is not always wheelchair bound, but he is suffering from Parkinson's disease, is foul-mouthed and none of the caregivers have lasted the distance.

Enter Hungarian Dorottya (newcomer Coco Konig), as his latest carer, a young girl from Budapest with acting ambitions who must somehow quell the outbursts and incontinence of the cranky old knight.

The film was directed by Hungarian Janos Edelenyi who was himself a refugee when his country was behind the Iron Curtain. Konig obviously got into England before Brexit.

Many critics have given Cox's acting all the credit for the excellence of the film, but for me Konig with her endearing continental accent deserves equal credit. She must cleverly fend off rages and volleys of eff bombs from Sir Michael in the rooms of his English estate.

It is all about crossing the generations and helping that for both is their love of Shakespeare.

Drama takes over from the funny stuff when Sir Michael's control-freak of a daughter (Emilia Fox) and his former lover-cum-housekeeper, Milly (Anna Chancellor) poke their British noses in.

There was room for even more drama in the closing scenes, but we got the message. The Carer and its script are of such quality a second viewing would be just as rib-tickling.

 - Stuff

http://www.stuff.co.nz/entertainment/film/82565280/caregivertakesoncrotchetyoldailingknight-is-a-movie-formula-which-works