Mark Cousins

Atomic (trailer)

70 years ago this month the bombing of Hiroshima showed the appalling destructive power of the atomic bomb.  Mark Cousins’ bold new documentary looks at death in the atomic age, but life too.  Using only archive film and a new musical score by the band Mogwai,  Atomic shows us an impressionistic kaleidoscope of our nuclear times: protest marches, Cold War sabre rattling, Chernobyl and Fukishima, but also the sublime beauty of the atomic world, and how X Rays and MRI scans have improved human lives.  The nuclear age has been a nightmare, but dreamlike too.

Watch the film: BBC2 Scotland 8th August 21:10 and BBC4 Storyville 9th August 21:00



Variety: review I Am Belfast

A brilliantly perceptive review of Mark Cousin's work on I Am Belfast in Variety

If “The Story of Film” taught us anything, it’s that Cousins doesn’t see movies — or the world, for that matter — the same as other people. So why should he make movies the way they do? Though “I Am Belfast” never reveals his actual methods, Cousins assembled the film in an organic and wildly unconventional way: Like a gleaner, picking up scraps life has left behind, he would observe as a painter does, looking for specific colors, and listen like a jazz musician, blending found sounds with recovered echoes from composer David Holmes’ archives to trance-encouraging effect.

For the full article by Peter Debruge click here

I Am Belfast review: Films of memory and melancholy

An insightful summing up of 'memory films' including Mark Cousin's I Am Belfast by Swedish writer Mårten Blomkvist.

Blomkvist sees a trend for films using people's memories for inspiration at the Karlovy Vary festival in Czech Republic. He connects the current programme of films with classic 'memory films' Hiroshima - Mon Amour, Citizen Kane and Wild Strawberries. Not bad company for Mark to be in!

What follows is an approximate translation, click here for the original. 

People's memories are a rich source for the world's filmmakers and screenwriters. DN's Mårten Blomkvist visits the film festival in Karlovy Vary in the Czech Republic and finds that memories are a unique and major movie genre. 

Every film is about memories . Whether it’s narrated with memories, or even an action movie. To sink into memories is a small film genre in itself . The programme in the ongoing film festival in Karlovy Vary in the Czech Republic is a reminder of how memories pervade film . Documentary filmmaker Mark Cousins emembers his hometown in I Am Belfast. Ukrainian Eve Neymann recreates Song of Songs life in a shtetl , a small jewish village in Russia in 1905.  Other filmmakers have flocked to the small Spanish community where spaghetti westerns were once filmed and a disused factory for fireworks in Macao, China.

Yet is it really surprising so many great movies can revolve around memories? Take Citizen Kane, itself an almost forgotten memory - from 1941. A toxic portrayal of a ruthless newspaper king's life and career, a radical film, that's how one thinks of this historical giant. But Orson Welles’ film is completely made up of memories. A journalist collects survivor memories to understand what the main character Kane remembered in his last moments.  In a digression the king's right-hand man, Mr. Bernstein, tells newspaper about memories:  “you remember things you don’t think you'll remember. I can take myself as an example. One day in 1896, I had taken the ferry to Jersey and when we pulled out another ferry came in, and there was a girl waiting to get off. She wore a white dress and held a white parasol. I only saw her for one second. She did not see me at all, but I promise you that since that day not one month goes by when I have not thought of that girl.”

Ingmar Bergman's films contain many strong scenes where people remember. Wild Strawberries (1957), where old Isak Borg is gripped by his past, can even be said to have founded a school for the memory film directors.

Filmmakers are powerless against melancholy memories. Movie lover Mark Cousins s best known for his portrayal of film's history, The Story of Film (2011). The TV series is full of knowledge and love. Now he turns to the city and Stockholm. Cousins s in the process of collaboration with celebrated photographer Christopher Doyle to portray our own capital. In I Am Belfast actress Helena Bereen personifies the old city, and tells Cousins bout herself. There are lingering glances at the old facades, and the elements with pictures of the former Belfast: old men in hats behind a giant glass of Guinness. Purely romantic, it can not be in Belfast movie. Bereen talks tough about the glowing hatred between Protestants and Catholics.  But it certainly feels more like a film about memories - or as it is said in the film, "the misty water-colored memories of the way we were," not just the words of a hit from a Barbra Streisand film (Our Best Years , 1973). Songs, like movies, sometimes capture the bittersweet in remembering. Usually the memories of film pieces, diminishes the big picture. But in a classic dreamy Hiroshima - Mon Amour (1959), Alain Resnais  and Marguerite Duras’ adaptation, it is the loving couple and their fragments that creates a great part of the film’s force. 

Many filmmakers seek Hiroshima Mon Amour’s mood, especially in documentaries. Often with a central location, an abandoned object that can recall the life that once unfolded there. Portuguese Joao Pedro Rodrigues and João Rui Guerra da Mata have found an abandoned fireworks factory IEC Long, once famous for its extra LOUD firecrackers. In Once Upon A Dream - A Journey to the last spaghetti western Bulgarian Toni Slave Hristov explores a small Spanish society that can never forget the times when everyone worked on such films as Harmonica - the Avenger (1968). Good items. But as often happens the filmmakers rely on the environment's ability to speak for itself. Not everyone has a Christopher Doyle to help to get an old factory wall to shimmer enchantingly.

Song of Songs is a more evocative greeting from a shtetl in 1905 , a rarely depicted environment. Director Neymanns’ basis are stories of Sholem Aleichem , who called a jew Mark Twain , whose stories of Tevye became the musical Fiddler on the Roof . Contemporary Jewish persecutions , pogroms , mentioned , galghumoristiskt . But essentially gets the spectator to add sadness , knowing what villages like this would be hit with a few decades later.  Neymann sticks to 1905, and scenes like when villagers snuffling listening to street musicians. The singer is singing the Edith Piaf empathy for the memory of a woman - "I can not forget her, let me die!" The suicide candidate is about twelve . You are never too young to start dreaming about memory sweet pain.


Mark Cousins premieres 'love letter to home city' I Am Belfast

Mark Cousins and actress Helena Bereen at the world premier of I Am Belfast

Mark Cousins and actress Helena Bereen at the world premier of I Am Belfast

I Am Belfast, the latest feature film from Mark Cousins, produced by John Archer and Chris Martin, had its world premiere as the opening film of the Belfast Film Festival. The night was a great success and reactions have been very positive. See below for press clippings and a glimpse of the night itself. 

The Story of Film wins award

Hopscotch is delighted by the news that The Story of Film has been awared the Stanley Kubrick prize at Traverse City Film Festival! Michael Moore who founded the festival now in its eighth year, said Mark Cousins' documentary was "one of the greatest" and one "we'll be watching all our lives."

Well done Mark!

The films within the film

The Berlinale Film Festival is over and another group of completists stayed the 15 hour course.

Many have been in touch on our Facebook page to ask about the films included in the Odyssey. So if you're planning your own film marathons you may find this download useful. (Just to warn you, it's quite long)

Click to download.


Word file


Berlinale Festival 2012

Exciting news: Mark Cousins has been invited to screen the full 900 minutes of The Story of Film at this year's International Film festival Berlinale. It will be screened as part of the Berlinale Special programme which features 'new and extraordinary productions'. The festival states the programme's role is to 'to honour great cinema personalities by showing their films and to immerse audiences in cinematic history by screening film classics.' We think Mark is an excellent addition to the selection! See more on the festival website here.


The Festival is on between the 9th and 19th of February with the Story of Film on the 16th/17th.

Best of 2011...

The Story of Film has been picked by Time Out magazine as the TV highlight of the year. TV editor Gabriel Tate made Mark Cousin's epic journey across cinema history his number one pick. Read the article here.

Mark Cousins’s monumental undertaking was simply magnificent, keynote television to rank alongside ‘Civilisation’ or ‘The Ascent of Man’. It looked like our dreams, indeed.

Standing ovation for Mark Cousins at Toronto International Film Festival

Here's the band of avid audience who attended every day of the five days premiere of The Story of Film: An Odyssey at the Toronto International Film Festival.

Indiewire called it 'orgiastic' in its review and find out what the audience thought here.